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“Follow theEscort manila“Senior Foreign Youth Imaging Program” project, senior professor at Beijing Normal University, and dean of the Institute of International Communication of China Culture
“How could China have such a good airport?” When the plane landed at the T3 terminal of Beijing Capital International Airport, nine students from Boston University in the United States were fullEscort manila doubts. This scene 7 years ago made Huang Huilin, founder of the “See China Foreign Youth Imaging Project”, a senior professor at Beijing Normal University, and dean of the China Institute of International Communication of Culture, unforgettable for his life.
The “See China Foreign Youth Imaging Project” is a Chinese cultural experience and image creation project co-organized by the Beijing Teachers’ Huilin Cultural Fund and the Chinese Cultural International Communication Institute. Since its establishment in 2011, it has been successfully held for seven sessions, gaining more and more extensive influence at home and abroad, and has become a brand project that highlights China’s charm and spreads Chinese culture.
From the prosperous Beijing, Shanghai and Guangzhou to the western Gansu Ningxia, from the three eastern provinces with black soil and white clouds to the colorful Yunnan, Guizhou and Sichuan, more than 400 foreign youth of different skin colors and beliefs from more than 40 countries have come to China one after another by participating in the “See China and Foreign Youth Imaging Program”. They looked at every place they walked with their feet and told the Chinese story in their eyes with their cameras.
This is not only a new attempt in international cultural exchanges, but also a personal cultural experience of China, and it is also a “trip of discovery” for China.
“Post 80” Professor and “Third Pole Culture”
Huang Huilin is a Sugar bA talkative wise man, the word “energetic” is used to show her aging because she is always passionate about work; she is the first doctoral supervisor of film studies in Chinese universities, and using the word “peaches and plums are everywhere in the world” to describe her is pretentious because she always believes in “peaches and plums do not speak, but they will become a footsteps under her”; she is the proposer and promoter of the “third polar culture”, and “the old horse is in the stable and has a thousand miles of ambition” is also exaggerated because she has pursued the “unity of knowledge and action”, she has just entered the “post-youth period” of life. She is Huang Huilin, a senior professor, doctoral supervisor, and dean of the China Institute of International Communication of Culture. “Chinese culture, on the basis of inheriting and developing Chinese civilization for 500 years, learn from and absorbing the essence of foreign culture, summarizing and enhancing the Chinese revolutionary culture over the past century, finally formed the current European culture and the United States. babyThe ‘third polar culture’ with cultural consistency is today’s Chinese culture with socialist characteristics. “When I first met Professor Huang Huilin, I was infected by her loud words and youthful passion. It is really hard to believe that the person sitting in front of me was an 85-year-old octogenarian. But she said that she was a typical “post-80s”.
“The kids in kindergarten, eat McDonald’s and KFC when they are hungry, drink Coca-Cola when they are thirsty, play with Ultraman in their hands, and shout ‘Yeah’ when they are happy. These symbols are not Chinese. From education, to life, to values, to aesthetics, we are all covered by Western culture, and our own culture is getting farther and farther away.” In 2008, Huang Huilin, who has been engaged in education for more than 50 years, had never been worried about the current situation of Chinese culture. “Cultural chaos is full of people, and film and television works, learning to walk in Handan and imitating the world. Chinese culture can’t find its own position in the world cultural landscape.”
Huang Huilin believes that “only Chinese culture can go global only when it is established, and China must strengthen cultural confidence.” The enhancement of cultural confidence is by no means a verbal lip service. Today’s world culture presents a diversified pattern. From the perspective of influence, it can be roughly divided into three poles. “If European culture is takenConsidering American culture as the ‘poles’ of culture, then Chinese culture with deep roots and strong vitality can be called the ‘third pole cultureSugar daddy‘”. The “third pole culture” is rooted in traditional Chinese civilization, and it is based on the premise of advocating cultural diversity and respecting cultural differences.
On November 19, 2010, the China Institute of International Communication for International Communication for Culture was unveiled. (Photo provided by China Institute of International Communication for Culture)
Under Huang Huilin’s active advocacy, running and calling, on November 19, 2010, the China Institute of International Communication for Culture, which carries the academic research, artistic creation, cultural communication and resource integration of the “third pole culture” was unveiled at Beijing Normal University, with Huang Huilin as the dean. “The institute was jointly initiated and established by Beijing Normal University and the American International Data Group (IDG). Through the implementation of academic research on international communication for international communication for Chinese culture with the “third pole culture” as the core and artistic creation with Chinese cultural characteristics, Chinese culture is more powerfully promoted to the world. “Huang Huilin said that this “position” is hard-won. It is the first international communication institute in Chinese universities named after “Chinese Culture”. Huang Huilin was 77 years old this year, “feeling like he was 17 years old, and the post-youth era has just begun.”
China in the lens of foreign youth
“We must have a good carrier when Chinese culture goes to the world. Through Chinese characters, it is difficult to learn. Through language, Chinese and no language is connected. Finally, I thought of images, which are the most effective means and way of expression that can break obstacles. “In 2011, Huang Huilin led the institute to launch the “Looking at China Foreign Youth Image Project”. With the expression, who will do it? Huang Huilin said that for many years, Chinese people usually tell themselves about their own works, and the authenticity will always be questioned. “We use foreign youth to shoot, and through their unique perspectives and narrations, to show a real and objective Chinese and Chinese culture. ”
TulaManila escortsi Taraka Prabhu Tej took the Chuanjiang Tie in Chongqing (photo provided by the China Institute of International Communication)
Huang Huilin also has his own requirements and standards for recruiting and selecting foreign youths. “The first is that I have never been to China; the second is that I have a strong curiosity and exploration spirit of China and Chinese culture.” In addition, young people selected must also have simple video shooting technology.
In 2011, the first issue of the “See China Foreign Youth Imaging Program” recruited 9 young students from Boston, USA. “After these nine children arrived at the T3 terminal of Capital Airport, they stood there and watched for a long time, and refused to get on the pick-up car for a long time. At that time, they asked us why China has such a good terminal? Why is China’s terminal better than Kennedy’s airport in the United States?” At that time, Huang Huilin was very surprised by the reaction of the nine children.
Next, after more than ten days of getting along and everyone got to know each other, when we chatted together, Huang Huilin realized that China was not like this in the minds of the nine children. “They remembered China is still stuck in the film “Red Sorghum”, with women with small feet and men with big braids.” Huang Huilin said that we did have classic film and television works like “Red Sorghum” in the past, but the real development status of China is not like that. This is the lack of our external promotion and cultural communication over the years. “Although film and television works are very classic, if you are not careful, you will leave a bad impression on foreign audiences.” Huang Huilin told this short story countless times on different occasions. It was the reaction of several American children that made her see the importance of her work and strengthened her and her team’s determination to “s TC:sugarphili200